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May Stevens (born June 9, 1924) is an American feminist artist, political activist, educator, and writer.〔(The Art of May Stevens )〕 Major works include: ''Freedom Riders'' (1963), "Big Daddy" series (1968–1976), ''Ordinary/Extraordinary'' (1976), and ''SoHo Women Artists'' (1978). In 1977, she was one of the featured artists discussed in a seminar given by Jacqueline Moss at the Aldrich Contemporary Art Museum. The seminar was titled "The Women's Movement: Iconography, Esthetics".〔("Art History Seminars" ) ''The Hour'', Norwalk, Connecticut (November 4, 1977), p. 39. Retrieved November 3, 2011〕 ==Early and Later life== Stevens was born to working-class parents, Alice Dick Stevens and Ralph Stanley Stevens, in Boston, Massachusetts and grew up in Quincy. Stevens had one brother, Stacey Dick Stevens who died of pneumonia at the age of fifteen. May Stevens studied at the Massachusetts College of Art, the Art Students League and the Academie Julian in Paris. She began her first major painting series in 1963, ''Freedom Riders'' (with catalogue essay by Martin Luther King, Jr.) before moving to New York in 1967, where she lived and maintained studios with her husband, Rudolf Baranik, until 1997. During this time, she taught at the School of Visual Arts (1961–96). Other well-known painting series include ''Big Daddy'' (1967–76); ''Artemesia Gentileschi'' (1974–79); ''History Paintings'' (1974–81); ''Ordinary Extraordinary / Rosa Luxemburg and Alice Stevens'' (1976-91); ''Sea of Words'' (begun in 1990); and ''Rivers and Other Bodies of Water'', (begun in 2001). Stevens helped found the magazine ''Heresies: A Feminist Publication on Art and Politics'', published from 1977 to 1992. Stevens’ has exhibited widely throughout her life. She moved to Santa Fe, New Mexico in 1998 and in 1999, the Museum of Fine Arts, Boston, had a major retrospective of her work, entitled ''Images of Women Near and Far 1983-1997'', the museum’s first exhibition for a living female artist. Her solo exhibition in 2006 at the Minneapolis Institute of Art traveled to Springfield Museum of Art, MO and National Museum of Women in the Arts, Washington, DC. Stevens’ work is in numerous museum collections, including the British Museum; Brooklyn Museum; Cleveland Museum; Fogg Art Museum, Cambridge; Metropolitan Museum of Art; Minneapolis Institute of Fine Arts; Museum of Fine Arts, Boston; Museum of Modern Art, NY; National Academy of Design, NY; National Museum of Women in the Arts; San Francisco Museum of Modern Art; and Whitney Museum of American Art. Stevens is the recipient of numerous awards including the College Art Association Distinguished Artist Award for Lifetime Achievement as an artist, poet, social activist, and teacher (2001), 10 MacDowell Colony residencies, Women’s Caucus for Art Lifetime Achievement Award, Bunting Fellowship (1990), Guggenheim Fellowship in painting (1986), National Endowment for the Arts Fellowship in painting (1983), Andy Warhol Foundation Award (2001).〔Patricia Hills and Phyllis Rose, May Stevens, Pomegranate Communications (Petaluma, CA 2005)〕〔Patricia Hills, ed. May Stevens. Ordinary/Extraordinary: A Summation, 1977-1984, with essays by Donald Kuspit, Lucy Lippard, Moira Roth, and Lisa Tickner (Boston University Art Gallery 1984)〕〔Lucy R. Lippard, “May Stevens’ Big Daddies,” in From the Center: Feminist Essays on Women’s Art (New York 1976)〕〔Barbara Stern Shapiro, May Stevens: Images of Women Near and Far (Boston: Museum of Fine Arts 1999)〕〔Lawrence Alloway, May Stevens Catalog for Big Daddy Series (New York: Herbert F. Johnson Museum of Art, Cornell University 1973)〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「May Stevens」の詳細全文を読む スポンサード リンク
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